Monday, January 30, 2012

The House of Words and Silence


We lived in a house where the words we would never say collected in certain areas, a compartmentalisation of sorts. Sometimes I think it was a need to find a place, a meaning, an answer to explain our lives. We lived in a conversation of heartbeats- the pulsing of words falling from our mouths, to fall and collect silently in carpets and corners and walls. Words laden with meaning, instead of being spoken would drift and fall to collect on surfaces and spaces of our house until the rooms we lived in were filled with words, and even walking from room to room would stir up whole weeks of dialogue that without our movement, would go unsaid.
We built ourselves into the hill there, facing south to track the passage of the sun across the sky, wondering if the sky was full of the same words, and whether each night when the moon left its traces, it also left words for the sun to collect in the day. We wondered whether each planet and body in the sky was silently collecting all their own words, as if words could replace love.

Our house was divided into two parts, the north and the south. The way we lived meant the north part of our house was on the lowest level, and the south raised above. Words like ‘cold’, like ‘autumn’ and the question ‘stay’ fell downwards, sticking themselves to the walls and floor and the ceiling of the north. In summer, the words would keep us cold, cold sticking to our skin so even a shower in passion (in the upstairs bathroom) could barely wash away all the traces. Yet still, cold remained, shivering in the corner of words to describe silence, prefixes and words that froze behind clenched teeth to clatter to the ground. Around cold, the walls were papered with empty questions, ‘how was your day’ above ‘well’, ‘thank you’, ‘fine’, and ‘nothing’. Nothing filled up more space than any other word in the north, nothing lay between cracks in the wall, underneath the carpet, it would settle under our fingernails and in our ears.
Syntax carpeted the stairs yet still, like a subconscious sequence of uncontrollable events, we would crawl on hands and knees over all the leftover nouns, the things that found no place, not for lack of meaning, but lack of home, like ‘kitchen’, ‘window’ and ‘door’. Syntax would bring us in our own way upwards, where the south burned with all the fires of atomical reaction. Conjunctions were war; the contrasting words like acid and alkaline, instead of equalising would burn with their proximity, leaving scorch marks on hands and thighs and curtains.

Things were never where you would expect to find them. ‘Goodbye’ was at the deepest point of the house, melting away all the ‘hello’s until the time would come where there was none left to give. ‘Visceral’ hung over our doorway like a welcome sign; our skin was coated in distance. ‘Pain’ hovered below ‘remedy’ near the couch, and when we stirred from our seating, the two would mix so that one could never really be sure which was which. ‘Loss’ and ‘gain’ made themselves sheets on our bed, so each night we would lie between the two, giving and losing even in the actions of our lungs as they gave and lost to keep us alive.
‘Wear’ stuck to doorhandles, as each would wear the hands that held them, but even as they held it, ‘wear’ would become ‘worn’, the skin of distance changing the letters and vowels, turning present to past in the simple act of contact.
The floor of the north was covered in ‘salt’ and ‘snow’, the south in ‘ocean’. Sometimes a half would become too full of words and the brine and spray of north or south would mix, polarising our world with the turn of hands on the clock, stirring and mixing to make the loudest noise of all: a cacophony of words both said and unsaid.

But with all the words that lived on in our house, we ourselves lived in silence. Each morning we would awake in a tangle of loss and gain, gain dividing skin so loss is all we felt. Tiptoeing around ‘love’, which sat in the middle of our room like an ancient monument, we would take turns to shower in ‘passion’, boiling it out of our morning coffee, cooking our bread to try toast out all the ‘alone’.
‘Routine’ hovered like a cloying miasma in the air, each steadfast movement of our chests brought it closer to our hearts, until the day would come when the beats slowed a little too much, and beating would stop.

I remember the morning it stopped for me. Living with a heart that no longer functions is a very peculiar sensation. It was almost as if I was under anaesthesia, nothing felt like anything anymore. I ran into love, knocking it to the floor as I untangled myself from sheets made of non-existence. I shared a shower with you and left feeling dryer than before. I drank tepid coffee and stared out of the windows, absent of feeling, knowing no relief, no fear, not even the icy fingers of ‘nothing’. You left for work, walking though the temporal and visceral and I began the routine of tidying up our conversations. From room to room I became stained with colours, passion, fire- but never felt a thing. The ache that once crept into my chest when straightening up ‘I’m not happy with this’ was no longer there. I felt neither cold not heat, stumbling though the icy tundra of the north, the thick heat of the south without feeling a thing. In the deepest part of the house, I found our goodbyes. Out of habit, I looked in the drawers where we kept a safety stash of hellos, but nothing seemed to have crept in, wearing away at the letters, goodbye knocking off their edges until all that was left was a few o’s and a hell.


That was enough. I picked up the heaviest ‘goodbye’ and found a curtain of ‘permanent’. I hung these at the front door, ripping down the visceral, drying my face with it and wishing that this would feel like something, anything but nothing. My tears held no reward, so I turned to close the heavy door of welcome, the distance of my skin breaking apart ‘wear’ and ‘worn’  until only a ruin remained. I slid the key of ‘I’m sorry’ underneath the mat which had no name, and left. For years after, I felt nothing more than nothing, less than the space between heavens, enough to make me blind and alone. I stumbled over the great monuments of this world, the same way I stumbled over love, until one summer, I felt a sting. A sting was enough, it had no name but the reward of pain was enough to uncloud my eyes. Bit by bit, I began to seek pain, the only feeling strong enough to unblock my senses. I began to hear the screeching tires of the city I had never known, the thudding of music from the neighbours flat, the sensation of cold fingers. With the use of my fingers, I began to write. I knew not of paper, so I engraved the only surface I knew, my skin, and the deeper the ink sunk, the more I found I missed you.

I wanted to write you a letter of all the things I never said. I wanted to coat my skin with ‘I love you’, with ‘I’ll stay’ and with the words I still can’t bring myself to whisper. I wanted you beside me as I dredges up the mires of my stomach, pulling the petrification of conversation and sentiment out and upwards, to burn in the fireplace of ‘I’m sorry’. I wanted to show you my palms, coated with layer upon layer of ink, the words that I wanted to say to you, but was too afraid. I wanted to do so much, but I was too afraid. So I carved them into myself, un-bottling words and sentences, growing rings of skin like a tree. Cut me open, I wish I could say to you, cut me open and see the ink rings of where you’ve been. Of all the words I couldn’t say, I hoped I could touch you, so you would feel them where my skin found yours. I hoped that my black hands would be enough, that you would know by the tapping of index and thumb that I love you, the rubbing of my pinky that dinner is growing cold, the pressure of my palm against your back that I felt whole around you. 

I wanted to write you a letter out of myself, but instead, I was a burning book. I burned, lying open with my heart and lungs facing upwards so all the prefixes, conjunctions and vowels could fly outwards, sticking themselves onto the walls, leaving a negative imprint of my shadow on the room around me, a space my silence made me. And instead of finding you, of giving you myself, wrapped in the envelope of skin, an invitation for you to unwrap me, I became nothing more than ashes, ashes to float in the wind, seeking out where I left you, breaking though the windows of ‘remember’ to rest in your lungs, the only place I knew home.

Saturday, January 14, 2012

You shall love your crooked neighbour with all your crooked heart

The sky outside seems to fall a little bit closer just before the sun comes up. I know, I’ve seen it more times than I care to admit. But really, few will ever admit to real sleeplessness, the sort that has you up for weeks, that drains you of colour and life and energy and leaves you thin. No one really wants to admit that, no matter how romanticised it becomes in the teen-lit prose shit that love-sick kids call literature. “I’m an insomniac”, they cry after a night of tossing and turning, maybe getting two or three hours in. “I’m depressed”, they say after a bad day, as if having something broken in their lives is charming. Endearing even. 
Show me the man who taught them that loving is easier when a person is broken. Show me the man and I’ll show you his grave. When you’re lowered into the ground, or scattered into the wind, that’s broken, and I’ll tell you what, that’s not easy to love. It doesn’t sustain anything. Not lust or anger or passion or affection. Nothing. Of all the broken things in the world, we don’t need any more privileged kids thinking they’ve got it tough, thinking that because some pretty girl spurned their advances their life is a wreck. 
We have broken windows and buildings and god knows how many broken countries. We have broken stars and broken buckets and taps that leak and penises that do the same when they all get old. We all get old. But broken? I think not. Crooked, though. That’s something we should all get used to saying. Crooked is something we all are. Crooked, and in one piece. Well, except for amputees and people who’ve just got their teeth punched out. I grew up believing that there were good people in the world, and there were bad people. Good and bad. East and west. Hot and Cold. Opposite ends of the spectrum. I was wrong. I wish I could blame my mother for that, but when she wasn’t telling me my bedtime stories, she was well and truly drunk. As truly truthful as she was ever going to get, my father said as he walked out our front door, not even bothering to shut it but kissing me goodbye before he left. Crooked. 
We’re all as good and as bad as the next person, I think. It’s just a matter of how you choose to live. But no one is completely good. No one is completely bad. Except some of those teen-poets, seven hells, some of them are shit. But still, I think we’re more crooked than broken. Broken is hard to love. Broken means loving pieces, pieces that may never see wholeness again, pieces that you have to love as separate entities, shattered and confusing and most of them don’t make enough sense to even try understand it. And the good and the bad in a person? They’re all separate pieces now, open for someone to come along and take and love and cherish all the good parts, rejecting the bad. And what happens when a person finds out those bad parts belong to the same person whose good bits they’ve loved so well? I told you that you can’t love a broken thing. 
But crooked? You can be bent all out of shape, you can take all the knocks in the world but still, you’re in one piece. It’s easier to make sense of all those different bits when they’re in one piece. And let me tell you something. We’re all in one piece. Well, except for those amputees and the fools that really shouldn’t have said those things to the guy who had more drinks and gym memberships than him. And because we’re in one piece, we can be both good and bad. Good and bad and loved for all the grey in a person, for all the times when we try to be good but end up staining our knees and getting blood on our hands, for swearing after present-time at a kids birthday party and even for writing terrible poetry that should be burnt rather than read. 
We must take it all, love it all and try not to be broken, because only glasses and fingernails are really good at that. So, crooked friend, you must love your crooked neighbour with all your crooked heart if you ever want to get any real love in this world.

Wednesday, January 11, 2012

Symmetry: The paint fight.


Today
I practice breathing with the earth
I try and see symmetry
Like the sort we made as children,
Pressing hands to hearts full of paint
And bringing skin together
Copying motions we shouldn’t yet know about, and don’t.
You grab my thigh, hand sticky with paint
And I hold your neck, pushing you away yet pulling you closer
We do not know.
I rubbed green in your eye and you put yellow in my hair
Our fingers stained with blue as we struggled on the grass.
That night I washed the red from between my thighs
The bath water swirled with the colours of the butterflies we tried to make
But without paper it all seemed so hollow
Now it's almost as if we spend our whole lives
Building the replica of those afternoons.
We still fight, the grass changes colour
From grass and concrete to timber floors and mattresses
We make patterns, pressing hand to heart
Bringing skin together
Copying motions we wish we didn’t know about, but do.
You grab my thigh, hand sticky with sweat
As I hold your neck,
Fingers blue with the cold that only fighting can bring
And we know.
I wash the same colours off me as you sit by the bath
‘You pushed me away’ you say with green eyes.
‘I pulled closer’ I say
As I hold my feet the way a child does.
Push my yellow hair off my pink face,
And smile.
You look away. Green eyes, blue heart.
The same colours swirl around me
And though I try to carry them with me
Without paper, it all seems so hollow.

(009)


But physics could never explain the ways he loved her; how he loved to be with her more than anything he’d ever known. He loved the sight of her freckles and the constellations they made over her skin, the taste of her lips as he lay between her legs. He loved the underside of her tongue, blue and red and purple and how it never stopped moving. She moved him. He loved the tiny hairs on her cheeks, the scrape of her nails against his back, the heat of her skin. He knew that science would never open its eyes to find its face against her neck, never feel the heartbeat that lay under her skin, sometimes uneven, sometimes as sturdy as the ocean. There were some things that men could not make a study of like he. He became the faithful student; the dedicated cartographer; the avid explorer, mapping the contours of her body, the sweet valleys and the cool mountaintops. He became a servant to her heartbeat, teaching and commanding him how to breathe once more. She needed him as much as he needed her, and she was his to study, his to turn into science, to break apart. His hands dissected her into organs that knew his name, the touch of his hands on the skin encasing them would cause them to swell, to squirm and to move. His lips made organs once more into cells, in which the nucleus held all she really was, the DNA and commands that said live and die. Science pulled carbon from hydrogen and oxygen, broke particle from particle until all that was left was the beginning of the universe: nothing. For without her all had ceased to be, and all life, all science and research had no meaning, none other that she was the one that held the universe together, and he with it.

Wednesday, January 4, 2012

(008)


You slipped underneath my eyelids and now every particle of myself draws its lines to you.
Leave me bruised.
I want to love passionately and drink deeply and have you say that I’ll always be enough.
Even as you leave I want
This memory to leave circles over my skin and draw maps through my veins.
I want to hold you even if my fingers aren’t strong enough to hold.

Would it be true
I want to write the word ‘stay’ on your palms, so that everything you touch reminds you of where we’ve been
I want to forget your name.
May the moon draw you closer each month and may the sea one day consume you.
May you taste of salt and other women and may I always remain broken.

May the city that you know never change
May it whisper the same words to you each night, I hope you never escape.
And when the whispers of the ocean call to you,
I hope the tongue inside your mouth dries to dust
I hope her love will never be enough
I want to fade into nothing, to be as transparent as the stars
So that one day you may see me

I want to forget you
The way a prison cell forgets the time
The way time forgets the dead
The way the dead forget the living
And I want to know that each time I breathe, I no longer need you to hold my lungs.

I want to be enveloped by the sea, and chase the moon
And go ever onwards north.
I want to fall at the feet of some mountain
Who will never love me the same way
But I will curl at his feet and relish the cold
May the birds forget your name.