Sunday, March 31, 2013

I am afraid of dentists, and other things I have learned this month


1. My dentist calls me lobster
He says that I have beautiful gums
And gathers the nurses around to stare into my mouth.
He tells me that they hold onto my teeth in the most beautiful way.
I tell him I do that with everything.

2. Some days, I carry the world on my back
At night, you can hear the creak and turn of planets as I roll over
I wake with Jupiter embedded in my back,
Saturn’s rings curled around my spine
Only then do you call me beautiful

3. There are some people that even when they speak, it sounds like poetry.
He says that he wants to feel human again
But that he drank too much scotch last night
And woke up three stops too late
On the train line to the mountains
Now he numbers his stops, becoming a tourist in his own city.

4. They say at the end of the world silence will fall
But something makes me think that it will rise
Up through the centre of the earth, creeping through the veins of the trees until One morning sound no longer exists
But everything smells a thousand times better.

5. People with synaesthesia tell me that they associate smells with words
I want to know what the word ‘himalaya’ smells like,
If they see colours in sounds
And whether it helps them understand more of the world
Or less
But you can never tell me.

6. We play a game, which nut each person is
We categorise each person we know
“This one is a hazelnut. No, a pecan”
“She’s a total macadamia.”
And in this way, walnuts become sacred, peanuts coarse, pine nuts cheery
Personifying each one to understand more of the humans we surround ourselves with.

7. I am the Atlantic ocean. The moon. A fox. The galaxy NGC4826. A wildling.
I wonder if my categorisation of these things tells me more about myself
Than the things I become
Or if it gives me licence to become them
But I can never figure it out, so I number all the things I become
Becoming a tourist in my own skin

And I wonder if you find it beautiful

Sunday, March 17, 2013

Neither here nor three.



There is something in the art of restraint that I am not good at
The falling and tripping and
I never know what to do with my hands.

You want to tell me that I drive like I live
Excited. Distracted. Clumsy.
And you’re not sure if this scares you.

And lord, I am covered in bruises
But there are places I suspect must live in the bulb of my lamp
And I am trying to convince you that everything is sublime.

“I am here to steal your virtye”

I want to tell you never to trust a poet.
Spelling mistakes entertain me to no end.
It’s the small things that scare me the most.
And the big things.

So I buy sixteen packets of sparklers and a pack of playing cards
And wonder what life would have been like for the first flying squirrel
And how they would have dealt with all that freedom.
And if I would have done the same.

I have the suspicion that objects are in love with my shins
Like I am in love with yours.
This body was made noble
But most days all it feels like is empty parts

Covered in bruises and burns and scrapes
And paint
You told me your favourite colour was green
So I tried to become the forest.

9:18 PM

When you push too many keys at once on the keyboard the time comes up.
I find this magical.
I carry the last four words of a wish on a scrap of paper in my wallet
Be careful what you wish for.

I wish it was your name.
We’ve turned our gods into planets and sent rovers up to find them.
Isn’t it funny how we all crave intimacy

And maybe if we press all the right buttons at the same time
The right answers will come up
Or maybe they already have
And all we have to find is the right questions.

I think I love too many things too much, and some not enough.
Most days the world is so beautiful that I’m sure it will break me into pieces

And I’m sure physics has a way to explain that
But I’m only part-way through Professor Brian Cox’s book
And I haven’t yet figured out why
But everything that can happen
Will happen.

I’m sure that by the time I finish the book
You’ll already know the answer
And look at me like I’ve just found the right question
And maybe you’ll be right.

Friday, March 15, 2013

The Old Man, The Moon and The Sea


 
“The fish is my friend too...I have never seen or heard of such a fish. But I must kill him. I am glad we do not have to try to kill the stars. Imagine if each day a man must try to kill the moon, he thought. The moon runs away. But imagine if a man each day should have to try to kill the sun? We were born lucky; he thought”
― Ernest Hemingway, The Old Man and the Sea


The Old Man and I, - sighed. We made such a beautiful pair. It was so long ago now, back when diarists used to proclaim loudly about the terrors of the sea, about such high tidal movements, about the dangers of the deep. But the old man, he understood. He understood more than the other fishermen, casting their nets out when I was in a temper, taking away fishes with whom I was having very interesting conversations with, (you will never fully understand the thrill of seaweed until you talk to a fish, I can assure you) the crashing around in their big wooden boats, and oh! The shouting! There was always the shouting! The salty language that made even I wish for a glass of water! But the Old Man, somehow I think he knew. Mahbulah, the old welsh Haddock, who was my greatest friend in those days, said that the old man had sea-water in his veins, and probably was part fish. I trusted Mahbulah more than anyone else, so naturally, I thought the same.

The Old Man would sail out in his boat, somehow more gentle than the others, and talk to us. He still took away fish from me, but they always seemed to be the annoying ones, the ones that were always in a temper, or else chattered constantly, driving us all insane. The Old Man would tell us for which person the fish he caught would go to: always the same eleven people. There was Mr and Ms Frnerngla, the elderly couple who had lost most of their acquaintances because they had decided not to marry, back in the days when those sorts of actions were frowned upon severely. Then there was batty Sir P’n esq., and his regal cat, King Richard the Lionheart, whom both Sir P’n esq. and the Old Man counted as a person. Mr. and Mrs. Kmin with their quadruplets, who all seemed to change names weekly, according to the Old Man, each received a fish, as did the young soldier, Drmna, and the pretty girl who lived next-door to him whose name, Lleiaj, would cause the young soldier’s face to light up and fill with colour. Every second day, as his pipe blew smoke that swirled around his face, the Old Man would talk to me about each of these people, about the little parts of their lives until I almost felt I knew them as well as he.

The Old Man lived in a shack that stood on magnificent wooden legs that went down into the shallows, two sea-miles outside of a weary little fishing village sheltered by a mountain range so high that at times you couldn’t be sure whether they had an end or if they continued on until at some unspeakable height they became part of the sky. It was a small, practical house, with wooden floors and shelves lining the walls, a stone fireplace built into the wall and a small nest of woven and worn blankets in which he would rest each night. I know, having accidentally visited in one of my tempers. He didn’t seem to mind that I had waterlogged his rug and stained the feet of his table, instead, he offered me a cup of chamomile tea, which I enjoyed immensely, and spoke about such beautiful things that soon I forgot why I had even worked myself into such a fury to begin with. Like I said, the Old Man seemed to understand more than all the others, and I grew to love him because of it.

When night fell, the Old Man would each day take his seat by the water on the small balcony that covered three sides of his house, pull out his pipe, and sit humming throatily to himself. Below, I would gather with the fishes and listen to the husky melodies that seemed to resonate from his chest rather than his mouth, from which the only thing to ever come from there was smoke from his pipe. He would sing the songs of the sea, he called them, the ones all the sailors and fishermen knew from their childhoods, and the fish and I would be moved to tears as the smoke drifted around his head and shone bright in the moonlight.


In those days, the Moon was closer to the earth, having not yet seen enough of it’s inhabitants to make her pull away, and she was beautiful. At times she would shine, almost full and egg like, filling the sky with a pregnant expectancy over the coming evenings. Other nights, she would turn her face, leaving us in darkness, or else she would cut through the night like a sickle, trying to teach the farmers how to harvest stars. But on the right evening, she would rise so full and majestically over the horizon that I couldn’t help but fall madly in love with her, and would want, more than anything to follow her as she swept over the sky, following her paths around the globe, singing to her the Old Man’s songs, hoping that she would find them as enchanting as I.

One evening, after a spectacular moonrise, the Old Man began to chuckle at the way I would begin to get restless, first as her light would begin to shine on the horizon just above the mountains and then more so as she shone brighter and brighter and left the snowy arms of the peaks and made a careless dash into the deep blue of the night sky. When she would break free, I would rise, enamoured and crash about the posts holding up the Old Man’s shack until all the fishes grumbled and complained that I was making a fool of myself and to stop being so excitable. The Old Man never said such things though. Instead, he would watch, eyes gleaming, and begin to tell stories about what life was like, back when the Moon was even closer to the earth, so close you could climb up onto her surface and walk around, until I was swirling and dancing about and all the fishes had given up and gone back to their homes in the depths.

It was one of those nights, as the Moon seemed to burst into the sky and I thought I would break wild enough to cover the mountains that the Old Man told me a tale of when he was a child, about the beautiful woman he had loved and the beautiful way in which he lost her. After he finished, smoke billowing silently through his beard, he said two words which caused me to cry out and leap up to his feet.
“Follow her”.
Oh! How I wanted to! To chase and cry out to her, to leap up to her surface, to become the night sky that she swam through! But I was shy, and she was magnificent, so I protested. No! – I couldn’t! How could the ocean follow the Moon? We have our places, who am I to change that?! “Follow her”, the Old Man simply said once more, before stretching out his legs and moving inside to the dim light and simple meal sitting on the table.

“What am I to do?” I asked Mahbulah. He squinted at me grumpily, as I had woken him from his daily rest, grumbled “Go after her then, you fool” before swimming deeper into the seaweed and refused to speak of it again.
And then each time the Old Man brought his boat out into my depths, he began to tell stories of knights and maidens, the beautiful sorts of folktales that make your heart burst open at the seams and pour all your courage into deeds of valour and chivalry, finishing each time with the same two words, “follow her”, leaving me swirling with excitement and nervousness and leaving the seaweed fields in tangles and the fishes jumpy with nerves.


I wondered where she went each evening, when the sky would pull her away from me, leaving me in the sort of unbearable light that daylight becomes when one is torn up inside. I imagined her skimming her teeth over mountain ranges that were not familiar to me, gazing down on desserts and cities and lakes full of sweet water and became distraught that another might be reflecting her gaze as well as I. So distressed I became that I stormed for three weeks, until the fishermen believed the town to be cursed and the waves to be haunted by the spirits of ancient heathens. The Old Man’s words still reverberated within me; the sand banks became engraved with those words; the stones I crashed on formed reminders and still, the only two words the Old Man spoke were the same. Until one evening, as the Moon rose waxing crescent, I did it.

Softly, slowly I followed her, humming the tune the Old Man had made up about Drmna and Lleiaj, the one he said caused the young soldier to stare coyly at his shoes and the pretty girl to turn red and laugh. I wanted to explode, to catch her eye and to make her fall into me, but I restrained. Instead, I rose and fell softly, keeping to her pace in silence, waiting for her to speak. Days went past and she grew full, all in silence, until she reached her fullest and I began to feel like the world had become unreal, or else I had become so and she and I were no longer part of this realm. It was then that she spoke, first about the mountains from which I had seen her rise from so many times before, then about the songs the Old Man had taught me. She told me that she had loved the Old Man since he was young, and had always wished that she could talk so freely to him as I did. She spoke without respite, and I listened, enchanted by all she had to say, until soon, she fell silent. I gazed up at her, “would you like to meet him? The Old Man?” I offered.

To this day, I have never seen such an overflowing of joy that I saw that night at Peregrin. Together, we journeyed back over her well worn paths, me telling her of all the tales that the Old Man had told us, the stories about the quadruplets that each had four names; about the young soldier and the time he bought Llleiaj flowers and she kissed him. I told her about Mahbulah, my grumpy Welsh Haddock; and about the other fishes that had grown up and lived in the seaweed fields three miles away from the Old Man’s house. We spoke of the night and the mountains until we reached the wooden posts and weather-beaten shack where the Old Man sat waiting, smoke billowing about and a deep song coming from his chest. We rose to greet him, and he began to sing once more, deep and throaty.

The Old Man sat singing, and we and the fished gathered around him, the light of the Moon shining so brightly over us all that it almost felt like we were on her surface, and the deep sky was no more than a distant shadow.
He sung to us about Sir P’n esq.’s cat, King Richard the Lionheart, and made the Moon cry tears of joy, sung of old Mr. and Mrs. Frnerngla and their love that shook the mountains. He mumbled a ditty about the four lookalike children with their interchangeable names and the mischief they caused. But as all things must come to an end, this did too, as the Moon sadly smiled and began to drift along her path. She could not stay, she had to continue on. I trembled, stirring and drenching the Old Man’s balcony, until the Old Man began to laugh, and in that laugh, I heard those two words now so familiar to me as the smoke around the Old Man’s head and the stories he told.
And so I did, finding that part of me had already begun to chase after her, and that this was now the most natural thing. The Moon looked down at me, radiant, and I back at her.


Mahbulah, the old cynic, would still laugh at my impetuousness as I chased the Moon and her silent paths through the sky, roll his glassy eyes at my songs and grumble roughly at my passionate adoration of her beauty but he knew as well as I that we were locked in this embrace, me chasing after her, her pulling me along, and there was naught to be done about it. And so we stayed, locked together by gravity, chasing each other through oceans and skies, kept soft by the songs of the Old Man.